By Angela Naimou
Revealing hyperlinks among colonial, civic, slave, exertions, immigration, and penal legislation, Salvage paintings reframes debates over civil and human rights by way of revealing the shared hemispheric histories and results of felony personhood throughout possible disparate identities—including the human and the company individual, the political refugee and the industrial migrant, and the stateless individual and the citizen.
In depicting the cloth continues to be of the criminal slave character within the de-industrialized neoliberal period, those literary texts improve a salvage aesthetic that invitations us to reconsider our political and aesthetic mind's eye of personhood. wondering liberal frameworks for civil and human rights in addition to what Naimou calls death-bound theories of personhood—in which kinds of human existence are basically defined as wasted, disposable, naked, or useless in law—Salvage paintings hence responds to serious discussions of biopolitics and neoliberal globalization by way of exploring the possibility of modern literature to reclaim the person from the criminal regimes that experience marked her.
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Salvage Work: U.S. and Caribbean Literatures amid the Debris of Legal Personhood by Angela Naimou