within the Labors of Modernism, Mary Wilson analyzes the unrecognized position of household servants within the experimental types and narratives of Modernist fiction via Virginia Woolf, Gertrude Stein, Nella Larsen, and Jean Rhys. reading problems with classification, gender, and race in a transatlantic Modernist context, Wilson brings realization to where the place servants input literature: the brink. In monitoring their routine around the architectural borders isolating interior and outside and around the actual doors among rooms, Wilson illuminates the ways that the servants who open doorways signify better social limits and exclusions, in addition to states of awareness. the connection among woman servants and their lady employers is of specific significance within the paintings of woman authors, for whom the house and the unconventional are in particular interconnected websites of authorization and domestication. Modernist fiction, Wilson indicates, makes use of family provider to tame and interrogate not just problems with classification, but additionally the overlapping differences of racial and ethnic identities. As Woolf, Stein, Larsen, and Rhys use the unconventional to interrogate the restrictions of gendered household ideologies, they locate they have to install those related ideologies to regulate the servant characters whose hard work keeps the family areas they locate proscribing. hence the placement of servants in those texts forces the reader to acknowledge servants not only as characters, yet as stipulations for the creation of literature and of the houses within which literature is created.