New PDF release: The White Savior Film: Content, Critics, and Consumption

By Matthew Hughey

The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The final Samurai--features messianic characters in strange or antagonistic settings getting to know anything approximately themselves and their tradition within the means of saving contributors of different races from bad fates.

 

In The White Savior Film, Matthew Hughey presents a cogent, multipronged research of this subgenre of flicks to enquire the underpinnings of the Hollywood-constructed photos of idealized (and frequently idealistic) white Americans.

 

Hughey considers the construction, distribution, and intake of white savior motion pictures to teach how the dominant messages of sacrifice, ache, and redemption are perceived via either critics and audiences. analyzing the content material of 50 movies, approximately 3,000 experiences, and interviews with viewer concentration teams, he bills for the recognition of this subgenre and its portrayal of "racial progress."

 

The White Savior Film exhibits how we as a society create and comprehend those movies and the way they mirror the political and cultural contexts in their time. 

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The White Savior Film: Content, Critics, and Consumption by Matthew Hughey


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